Polygon Productions

I write almost all of the long-form content for Polygon Productions. Polygon is the world’s most immersive live music experience. It deploys spatial audio at scale at festivals and live events, creating hemispherical domes rigged with almost 100 speakers in over 25 different positions. Through this complex system, Polygon’s sound engineers and artists spatialise the individual elements of each track, moving them around, above and through the audience. Stand inside a Polygon stage and it feels as though you’re totally cocooned in music.

The experience is difficult to describe, and I have loved the creative challenge involved in helping to develop and fine-tune how Polygon communicates its approach — and why it matters to the future of live music. I write most of Polygon’s long-form digital content and work closely with its PR team and partners to profile Polygon’s work to the press and the public.